Tag: Xtatic

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Have you been looking for a female Emcee from west Africa that will blow you away with her lyrics and delivery? Look no further, she is right here!

Phlow is a Nigeria based emcee who started penning rhymes as an outlet of expression.
Born as Stephanie Asuai Eyime, African female lyricist and songwriter, Phlow is carving her own niche in a male-dominated hip hop music genre. She has been a mainstay in most cyphers especially that of Hennessy, holding her own against the male competition. Presently, she has 5 EPs to her credit, “Mind, Body & Phlow” “Asuai: A Mini EP”, Asuai Vol.2 and Gloria EP, a handful of singles “Phlowetic Justice”, “Love It or Not” and “Str8up” was featured on top music sites such as TheSource.com, HipHopDX, 2Dopeboyz, Egotripland, Elle magazine(France) amongst others.

Her most recent body of work MARMALADE is sleek with an urban feel. Each song on this 6-track EP, true to the most succinct and literal definition of the word “marmalade”, is an alternative jam; individually implanted by Phlowʼs creative genius – promising to indeed germinate and sprout novelty in the African hip-hop space. The disruptive project, produced and engineered entirely by Alpha Ojini, seduces the listener into syncing with the different rhythmic patterns used to paint lyrical pictures in ways that are rarely well-executed, especially in the world of Nigerian hip-hop. The project flaunts the combination of lyricism and melody almost perfectly, effectively wearing its definitive cloak of being a collection of “alternative jams” – proof of Phlowʼs growth and evolution, as well her ingenuity and deftness in churning out equally evolved art. “MARMALADE” features some of the best-known talents in Nigerian music today. With a combination of brilliant song ideas as well as dustings of humor in the skits, the result is a truly cohesive African hip-hop project – bound to appeal to fans and critics alike.

Listen to Marmalade below

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XtaticKenyan female Emcee Xtatic is considered in many quarters as one of the best rappers Male or female on the continent.  She is up there with the greats and her impact is getting huge. Her most recent body of work dropped in Aril 2020 and after many attempts, we have finally got her to approve us posting it on the site.

The 9 track project dubbed social Xperiment offers you an opportunity to see the world through her lens. She serves you her perspectives and opinions on world issues like Love, Life, loyalty and opens the doors for you to see her struggles, in a no holds barred fashion.  This is sure one of the few blessings the world has received during the COVID-19 era.

— If she is not the greatest, she is closest to it.

 

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S/o to Xtatic for also insisting that this record should be offered to people to streaming and download for free. According to her, music is not a career but a passion and she does not want money to be a reason people cannot access her materials — What a beautiful soul.

 

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I would like to present to you one of Africa’s best female lyricists. I heard her verse on Khaligraph Jones Khali Cartel 2 Cypher, and there are only a few that can match her lyrical ability. After listening to Khali Cartel 2, I decided to follow up on her.

Xtatic whose real name is Gloria Edna Nyabange is a Super talented Kenyan Hip-Hop musician and songwriter. The former Sony Music Africa artist has been around for a while dropping songs with the likes of the South African Hip-hop top dog A.K.A under Sony music Africa but left the music scene to concentrate on life in general. She made a comeback just recently on Khaligraph Jone’s Khali Cartel and followed it up with her Tatu E.P which is made of 3 amazing songs featuring KDaGr8.

The songs on Tatu were actually just more personal to talk about my growth and all ever since Sony Music. I’m actually currently trying to put a team together. I had to let go of my last team because they really had a small, rather local, vision, given the type of music I’m yet to release. So I’m really trying to build at the moment. Get investment and all that, Xtatic said to me.

The E.P was released in August 2019

I often wonder why African female emcees struggle at Longevity. The likes of Sasha, Eva, Muna were once the darlings of African Hip-hop only to disappear from the radar a few years later. Could it be that the system is just not supportive enough of Female acts? We at mazifeanyidotcom believes she is one of the best things to happen to Hip-hop music and has the chance to be the best that ever did it in Africa if she can focus on putting out more materials. The skill and talent is unquestionable.